The last flickers of daylight seeped through the stained-glass
windows of The Albert Hall as Ezra Furman and his band arrived, surrounded by keyboards,
guitars, a saxophone, xylophone and electric cello.
windows of The Albert Hall as Ezra Furman and his band arrived, surrounded by keyboards,
guitars, a saxophone, xylophone and electric cello.
Ezra was the starred. Wearing a
dress, tights and scarlet lipstick, he left all his energy on stage. He also dropped
a rousing rendition of Kate Bush’s ‘Hounds of Love’, into the set, a nice
surprise. He ensured to celebrate the LGBQT community, performing in front of a
clock face that read ‘Trans Angelic Exodus’.
dress, tights and scarlet lipstick, he left all his energy on stage. He also dropped
a rousing rendition of Kate Bush’s ‘Hounds of Love’, into the set, a nice
surprise. He ensured to celebrate the LGBQT community, performing in front of a
clock face that read ‘Trans Angelic Exodus’.
He finished with an unplanned encore,
playing deeper cuts, channelling his inner Bob Dylan.
